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Anything Goes sails into port at Sehome High School

A group of young actors in blue t-shirts stand on a stage with a wooden set in the background.

A run-through of “I Get a Kick Out of You” in the opening scene

A life preserver with a heart shape formed by rope is centered on the title %22ANYTHING GOES%22 in the foreground, set against a blue, striped background advertising %22Cole Porter's Anything Goes%22 presented by The Sehome High School Drama Department.
A young woman in a blue %22Anything Goes%22 t-shirt and a captain's hat stands on a stage with a blue backdrop and wooden set pieces.

Actor Claire Hill plays the Captain and is understudy for Hope Harcourt; during mic check at the first tech rehearsal

A young woman in a blue t-shirt and jeans stands center stage in front of a set with a desk and another person in the background.

Actor Julietta Herrera (Reno Sweeney); shown here during the Reprise of “I Get a Kick Out of You”

Two teenagers in blue t-shirts stand on a stage with a blue backdrop and wooden set pieces.

Student actors Dan Krets and Holden Beam during the technical rehearsal

Two pairs of legs in blue jeans and black dress shoes stand on a stage with a blurred backdrop of set pieces.

Tapdancing was a special skill learned during the rehearsals

A group of young actors rehearse on a stage with a blue backdrop featuring a circular logo, while a woman in a blue shirt observes from the foreground.

Director Kandace McGowan works out some staging as the second scene moves to onboard the boat.

A handmade %22Stage Door!%22 sign is taped to a dark gray door, with a sliver of a wooden doorframe visible on the right.
A person with a ponytail in a blue t-shirt stands in the foreground looking at a colorful chart on a dark wall, with stage rigging and equipment visible in the background.

Checking the list backstage for upcoming cues

A young woman in a blue t-shirt pulls on ropes in the foreground, with a backdrop of stage rigging and lighting equipment in the background.

Crew member Tess Peterson flies in curtains in the wings

A young man stands center stage in the foreground, while a group of people rehearse behind him on a set with a blue backdrop and stage rigging visible in the background.

Kian Monsef (Billy) listens to instructions during the microphone check at the first technical rehearsal of the production.

Four people stand behind a soundboard in the foreground, with rows of empty theater seats stretching into the background.

Lighting and sound board operators Maude Stafford-Edwards, Celia Higgins and Hogan Holland with Laura McGowan, technical director

A young woman in a blue %22Bon Voyage%22 t-shirt stands in the foreground, looking towards a stage with an audience in the background.

Actor shown in the wings before stage entrance.

Four young women in casual attire stand on a stage with theatrical props in the background.

The Angels (Becca Byykkonen, Mira Adams, Bee Johnson and Eliza Kelliher) strike a pose

A group of teenagers in casual clothing are gathered on a stage, some holding mops, with a simple set of wooden stairs and platforms in the background.

A rehearsal moment in late April already creates a beautiful stage picture

A woman sits atop a stack of vintage suitcases on a cart in the foreground, with a theatrical set resembling a staircase and doorways in the background.

Julietta Herrerra plays Reno Sweeney

Several vintage suitcases, in shades of red, brown, and blue, are scattered on a dark floor, with a large antique bicycle wheel visible in the upper left corner.

Vintage luggage is used as props for the "Bon Voyage" number as cast members board the oceanliner

Two individuals stand in the foreground of an empty theater, with a stage set and seating visible in the background.

Cast members Noa Schneekloth and Oliver Lacki play Spit and Dippy

A woman with red hair and glasses browses through a rack of colorful dresses and clothing in a store.

Costume manager Camryn Samuels looks over the costume rack

Two young women embrace in the foreground, with racks of costumes and storage shelves filling the background.

Costume managers Camryn Samuels and Chloe Skywalker

A young woman in overalls stands within a wooden frame in the foreground of the left image, while a smiling girl paints a camera in the foreground of the right image, with a backpack and desk supplies in the background.

Crew member Kathy McArdle and actor Isla Louws prepare for the show

In the foreground, people are building a wooden set on a stage, while the background shows theater lighting and seating.

Actors Mira Adams, Linus van Pelt, and Noa Schneekloth help build the set

In the foreground, students are engaged in sewing projects with fabric and patterns spread across tables, while the background shows a classroom setting with bookshelves and other students.

Actors and crew members Bee Johnson, Lucita O'Dell, Sophia Darling, Virginia Page and Henry Hughes work together to build costumes for the show.

Two young women are sewing at a table in a classroom with posters on the wall behind them.

Camryn and Chloe work on sewing costumes for the show.

A group of young people pose in front of a wooden stage set, with some flexing their muscles.

Members of the Anything Goes cast and crew finish assembling the base of the set on a Saturday build day.

Art deco backdrop

An art deco design backdrop sets the tone and mood at the start of the show

Final Rehearsal for  Blow Gabriel Blow

The start of Act II with Blow, Gabriel, Blow, Reno Sweeney's big number; rehearsal photo taken days before opening 

The Angels in costume

The Angels in their handmade purple costumes week of opening

  • Artists and performers
  • Confident individuals who challenge themselves
  • Critical thinkers and problem solvers
  • Leaders, collaborators and team players
  • Skilled users of technology and information
Anything Goes sails into port at Sehome High School

Anything Goes opens this Friday, May 15. The show runs at 7 p.m. on May 15, 16, 21, 22 and at 2 p.m. on May 23. Tickets are $12 for general admission and are available at www.SehomeDrama.com.  

It’s ten days before opening night, and the stage, backstage and front of house are full of activity with actor mic checks, setting light levels, arranging props, finalizing costumes, and moving set pieces. It's the top of the very first technical rehearsal for the production. Actors are practicing their lines and movement or quietly finding focus by themselves in a corner while the crew is buzzing around.

Backstage in the wings, flys are being thrown in (lowered) with the operator giving clear warning, repeated by all crew and cast in the vicinity.. “Heads on stage, Lineset flying in downstage!” the lineman yells out. Everyone to stop, look and repeat “Thank you heads!”

Vintage 1930s luggage is lined up just offstage, ready to be used as props for the first transition scene in the show. They are being checked and rechecked by a few students nearby serving on stage crew.

It could have been the start of a “tech” for just about any theatre show, but this particular rehearsal was for Sehome High School’s production of Cole Porter’s Anything Goes.  

Taking on a high school musical is a daunting task with hours of planning, building and rehearsing. Students become leaders and learners in stage management, lighting, sound, costumes, staging, and in this particular show, tap dancing! And the number of students involved as cast and crew for musicals is usually huge. This production lists 33 actors onstage and upwards of 25 involved backstage in some capacity. Even more volunteers and students were involved in building the set, costumes and props over several months.

Director Kandace McGowan shared students have taken on important leadership roles with great success. Nova Holland, Virginia Page and Ada Quessenberry are the stage managers for the show, keeping track of everything backstage. They run rehearsals and manage the tech crew behind stage and in the booth; they will "call" all the cues of the show during performances. Chelsea Li as props manager researched the “1930s aesthetic” of the show and made many props herself. Actor Ryley McPherson served as Ensemble Captain during production rehearsals and, aside from supporting cast members with focus and organization, she also developed a backstory for every character on stage to add another dimension to bring the show to life.

Back to the tech rehearsal.

There is quiet focus as the lighting and sound crew discuss the cues at the lightboard. The technical problem-solving is in real time and it takes time: set pieces are rearranged to create better stage pictures; tape is brought out for marking lighting hot spots for actors, sound levels are set. Tech rehearsals are notoriously slow going. The actors patiently wait and chat quietly with those nearby as the next cue and scene transition is worked out. And this is just the first scene. The enitre rest of the show is ahead of them to work out.

Director McGowan announces, “OK, ensemble, please come back! We’re going to move from the reprise and transition onto the boat, then we’re going to do it again.” 

Once they run through it, the actors in the first scene come back out and notes are given based on what transpired. In one particular note, the director asks the cast to make their exits at a more languid pace, recreating more accurately the closing time at a night club/bar. To achieve the smooth transition, the crew decides to run from the bar scene to the boat scene one more time.  “Ok, bring it all back. We’re going again!” Repetition is key to solidifying.

Tech rehearsals are vital not only to a show’s smooth transitions but to the eventual stage magic. It lays the foundation for the performers to shine.

Speaking of shining. Two of the main characters in Anything Goes are Reno Sweeney and Billy Crocker, played by senior Julietta Herrera and sophomore Kian Monsef. They sing some of the more recognizable classic songs from the show including “I Get a Kick Out of You” and “It’s DeLovely.” Ten days out, they were both still working out scene transitions (where do they go next?) and their multiple quick costume changes. According to costume manager Camryn Samuels, Reno has a costume change every time she leaves the stage!

Read a Q and A below with Julietta and Kian about their characters and what an audience can expect if they attend the show.

Q and A with Reno and Billy (Julietta and Kian)

We asked Julietta and Kian to describe their character, their favorite part of the show and also why people should come see it.

Kian (Billy): Billy is a super fun character who is always going to extreme measures to try and impress Hope. He’s charming, fun, outgoing, laid back, and sometimes a little cocky. The show follows his growth as a person once he falls in love with Hope. He tries to change himself to stop being a rowdy playboy and instead settle down and live out the rest of his life happily. I’m very lucky to have gotten this role.

My favorite thing about being in Anything Goes would have to be the classic songs as well as the super funny script. There’s a lot of small moments in the play that I bet will really crack up the audience and it has given me lots of freedom to just have fun and be goofy on stage. Out of all my songs I would have to say that De-Lovely is my favorite. It is a duet song that I sing with my love interest (Hope) and it’s just a really sweet and fun song.

I think everyone should come see our show because no matter your age or sense of humor, I’m sure the show will make you laugh and just have a good time.

Julietta (Reno): For me personally, the best thing about my involvement in this show is that I love being around so many people with the same interest as me. The Sehome theatre department is truly so accepting and caring. As a senior this has been such an amazing experience and opportunity.

My favorite song I get to sing is the reprise of "I Get a Kick out of You.”

This is a unique show and the way the directors have pictured it for our set and the cast is incredible. You cannot miss this show. It  is full of insanely talented actors, singers, dancers and our tech crew does so much to ensure our set, makeup, lighting, sound and scenes go smoothly.

As Reno Sweeney, I have so many costume changes! Other actors do, too, and we have our lovely costumers at the ready to help us. Almost every time I go off stage, I put on a totally new outfit!  In "Blow, Gabriel, Blow", the Angels and I  go from choir robes to dresses in one spin! 

If I were to describe Reno, I'd say she's bold and confident. She's the kind of girl who looks intimidating on the outside but in reality, has a big heart and just loves to make people smile.

 

 

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